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STEREOGUM: With “Sundress,” was that strictly a sample, or did you have some creative input on that track? There was tons of pressure on him to deliver his breakout album, or his album that’s going to take him to the next level. Fuck yeah, let’s do it!” You know? It's one of the parts of everything that I do that is just unabashed fun. It's taken a lot to drag me out of that. On the album, 'Borderline' has taken a new form, one closer to the version that had first materialised in Parker's mind. We just have really similar perspectives on music and taste. He knew early, too, that he wanted to do everything himself. Watch The Tonight Show Starring Jimmy Fallon highlight 'Tame Impala: Borderline' on He speaks to Esquire about forgiveness and perfectionism. It was more just like, 'I'm just gonna do this because it seems like a good idea'. Just super big energy, you know? Because we get together and I can sometimes just be in a giggly mood because I'm hanging out with Mark. We were particularly closed off. Well, 'Is It True', weirdly enough. And also trying to find some way to harness that and use it as an energy. I can't emphasise enough how important it is to me to feel like I'm just outside my safe zone. STEREOGUM: Did you ever talk to her or meet her or discuss the track at all? I spend by far the most amount of time on drums and rhythms of my songs than any other part. Was this one tougher than the previous ones? You know what, I'm running out of people that I haven't worked with that I would like to, just because of how it's worked out. But like I said, me playing my music to other people is a time of the sun coming back down to earth. It's usually the stuff that I do in between working on the music that I'm passionate about, like, just fucking around the studio is kind of what I do. PARKER: We bonded on everything from like ways to mic a drum kit to weird ’60s songs. There was no band. But I didn’t meet him until like a year later, whenever “Fuckin’ Problems” came out. That hook you sing, “I was gonna call you back” — was that something he had already that you built off of, or what? This was notable for a number of reasons, one of which was the novelty of someone playing a guitar at a music festival in 2019, but also because, surely, it meant new music. And the more albums [I make], I realise how important that kind of shaking it up is. Did you see that clip? 'Posthumous Forgiveness', which is kind of the lynchpin of the new album, is about the relationship with your father, right? PARKER: Yeah. You hear it all the time. But it didn’t show. And it makes all the difference. Mark is someone I've been super close with for a long time now, so it's much easier for me, but the big difference is because I've never been able to separate creative time from social time, I know that I piss Mark Ronson off sometimes. "There's probably something in that for sure," Parker says. It was almost like karaoke. Exactly. Elsewhere in the interview, Parker also clarified whether Tame Impala is considered a band or a solo project. So it just reminded me of all the people that I never got back to [Laughs]. Being the best thing he's ever made, it's a lovely Valentine's Day gift to the world. He is a festival-headlining pop artist who makes dense psychedelic rock music. It's this, I guess, self-confidence thing that plagued me. That's important to me. So playing my music other people is kind of a process of bringing the song back down to earth. The psych project mastermind made the comments to Australian radio station triple j … He posted a few years ago about Currents being his favorite album of the past few years. But yeah, he used that song in his tour video, and we were told he was a fan. 2020年2月14日、待ち望んでいたTame Impala(テームインパラ)の新アルバム“The Slow Rush”がリリースされた。 2016年度グラミー賞の最優秀オルタナティブミュージック賞にノミネートされ、Tame Impalaがワールドワイドな人気を獲得するきっかけとなった前作“Currents”から5年。 964 votes, 25 comments. I've always just checked myself to not make Tame Impala that. Tame Impala、第63回グラミー賞ノミネート作収録楽曲のサイケデリックなMVが解禁 SPECIAL 特集記事 INTERVIEW インタビュー記事 And usually you just kind of press a couple buttons and give them whole sections, but I gave them every little bit of it. There was four of us, really, ’cause it was BloodPop. Your first gigs start soon. Esquire participates in various affiliate marketing programs, which means we may get paid commissions on editorially chosen products purchased through our links to retailer sites. STEREOGUM: Before this Saturday Night Live performance you worked on Travis Scott’s Astroworld album. Like, if I just made an album in a week. He’s been doing his thing for a good solid decade now; Tame Impala’s debut album InnerSpeaker reached its 10th anniversary a couple weeks after our call. We didn’t know who anyone fuckin’ was. Some people hate doing that and I'm one of them. There was him, alone. The only thing stopping you is you choosing not to have that. It's funny, because every night I walk on stage, you know, in the few minutes before I step on stage, I'm like, 'Oh my god, what am I doing?' Does it just differ from song to song? When I became a teenager I got the shyness thing pretty hard. He’s just really into what he does and is so dedicated. PARKER: We met by chance on a festival circuit in Australia. That song was about one minute long until midnight, 21 November. It's different every time. It just does. Which was surprised everyone. Which is what makes it difficult". Occasionally he’ll be bummed out by a calendar reminder on his laptop alerting him to which city Tame Impala should have been playing that night, but overall he’s been in good health and good spirits. That's not to say it wasn't fun and fulfilling. I honestly believe that. Because he had such a big pressure. My main regret in those days was that I was the opposite of a brash young kid not giving a shit. Do you actually feel this way, or is this just the post-album emotional hangover? The hardest thing to do in that time would be to just sit down and finish the song because I just wanted to do something else, or something would take my attention, or I was bugging out about it. They're not asking for it, but you are able to give it. It's how he writes all his music: first, inspiration; then what can seem like an endless process of reshaping until the corporeal thing is close enough to the imaginary thing. Despite a recent surge of infections on the other side of the country, Australia has largely had the pandemic under control for months. Which is kind of like me now. All the songs that I've worked on with people have been things that I've started on my own and brought to them. Did you get starstruck back in those days being around celebrities? If I'm feeling good about it, I can't wait for people to hear it. Oh, and he does write songs like 'Posthumous Forgiveness', the centrepiece of his upcoming fourth album, The Slow Rush, in which he laments the failings of an absent father before offering him exoneration (although unlike the Biblical Son, Parker's comes backed with pillowy synths). Alongside his own band’s accomplishments, he’s become an in-demand producer frequently tasked with lending his unique sensibility to songs by A-list pop and rap stars. We’ve Got A File On You features interviews in which artists share the stories behind the extracurricular activities that dot their careers: acting gigs, guest appearances, random internet ephemera, etc. That kind of search, the quest — we were both on this quest to recontextualize old music and make it relevant. If you play that, there’s a soundalike of “Someday” in there. Some of this sheen could be attributed to the "There's no one in the world that I've felt as creative with as I do when I'm alone". ‘Cause I’m not. What's your role when you're in a room with, say, Mark Ronson? That’s why I like hip-hop so much, and that’s why I find hip-hop so intriguing, the way it’s made. I think I looked away as fast as I could because of how cringey it was. I was like, 'I'm not doing an album by myself again'. Tame Impala's Kevin Parker on His Pop Ambitions: 'I Want to Be a Max Martin' Tame Impala’s Kevin Parker used to prefer solitude. PARKER: What’s funny is I didn’t know who anyone was. I’m joking, obviously. Is that part of that? Kevin Parker's fourth album is his best – and most painful – yet. When I'm alone, there are just different things that come to me. For me, the music I imagine making is for people listening to by themselves. Everything we were doing was a new experience. And if they have a nice voice, it’s nice to hear what my songs would sound like if I was a good singer. I just have a different, I guess, way of thinking. And maybe the music wouldn't suffer and maybe it would just be better because I wouldn't be – I have all kinds of thoughts like that, with this album at least. “I just go to the studio every day and do my thing.”. There was so much pressure on him to deliver an album that was going to perform the way it did after Birds In The Trap. Which is different to making music that I think is good. “Honestly for me, it’s kind of business as usual because my studio is like two blocks from my house,” he says. I don’t know. STEREOGUM: And then he came out and performed with you at Coachella. And I used to be the biggest Streets fan. But, look, he's not Jesus, OK? I kind of jam with myself all the time in the studio. I know producers release their stems and say, “OK, remix my shit,” but when you talk about “stems printing” — I didn’t realize that’s something that could be high or low quality. I just thought it was hilarious. It’s this fuckin’ guilt that I carry around with me. And then when I would be on my own, that's when I could finally start being creative.". I don't just mean on my own, but working that intensely. Matt Fink ( Under the Radar ): The last time I talked to you, you explained that your songwriting process eventually breaks down over minute details that most listeners will never even be able to hear. But I know that as soon as I do play it to someone my expectations will lower a bit. So I always wanted to make music with other people. That might actually just be because he's a softly spoken Australian who's partial to a joint and who's written some of his best songs stoned out of his tree. I listened back to it and it just spoke to me for some reason. Have you done work besides, you know, massive international success? Exactly. Ultimately, they opted to quarantine Down Under. It’s been attempted many times before, so it’s kind of a challenge: “We gotta try and do this, and do it well.”. In December 2018, Tame Impala was announced for the Saturday headline slot at Coachella, which had just been vacated by Justin Timberlake. @sonyatvaustralia #Lawsuit #nowitsmyturn, A post shared by Tame Impala (@tameimpala) on Apr 27, 2017 at 8:01pm PDT. I hate finding myself in that situation, it makes me uncomfortable. Which at the end of the day is the same whether you’re playing drums or programming them. Tame Impala’s sound has evolved over the years, as have his admirers. And that might be because it was a song that I spent the least amount of time on, which actually now that I'm thinking about it, is actually quite profound. That’s the difference it comes down to. I mean, it's funny cos that that one, the putting the chords on loop and going to sleep, I didn't think of that as an experiment. How different was the creative process from your own? I guess it was something that I got from growing up, too, realising that adults aren't necessarily any better than children. What’s the determining factor on how you approach it? We did a bunch of stuff, but as with all things, I’m not sure if any of that will surface. Let’s go ’til five in the morning. Kevin Parker probably isn't Jesus. "When I was 14, playing in a rock band in high school, I was more excited by the fact that I was hanging out with my friends than I was about being creative. But you could have that. I was trying to make it sound less like a rock band. Like it came from a part of me that wasn't calculated, where I don't know where that came from. Rather than not go outside, I went, OK, I'll go to the shops or try and do some grocery shopping. Which was odd, because a year earlier, things had looked rosy. 'Glimmer', especially, sounds like a house record. I just set up a 707 drum machine and I just hit record because I was testing out this new tape machine that I had. There was a song, 'Is It True', that was only half-finished at about midnight. PARKER: No, they were just doing a soundalike. It was like a problem to solve, a puzzle to piece together. Converting something that I do by myself into something that five people stand on stage and perform in front of people is fun. He also informed their parents. The most important stories and least important memes, every Friday. KEVIN PARKER: He just got in touch and said he was doing this project. There's so much more I want to do. Is there an art to printing stems? There's a part of me that wants to run back to the dressing room and there's another part that's like, 'Come on, Kev', just dragging myself on stage. I just put a lot of care into it. A new tour is pending. And then fuckin’ two months later he was at my house in LA, shooting a video! And then, around the time that Currents was going platinum and being nominated for Grammys and winning ARIAs (the Australian equivalent), Parker slowly began to disabuse people of an assumption that he'd spent years cultivating. I think Gaga too, that’s probably not something that makes her feel artistically fulfilled. Which can go catastrophically wrong. Tame Impala Interview: The majestic new album The Slow Rush sees Kevin Parker absorbing sounds and production techniques from everything available to him… The majestic new Tame Impala album The Slow Rush sees Kevin Parker absorbing sounds and production techniques from everything available to him. Then, nothing. [pause] Yes. You have to shake the snow globe up. Yeah, he just got in touch and asked me to do something. My feelings in that song are not how I feel every day. STEREOGUM: Nowadays you work with so many famous people, but you mentioned being a shy kid when you were starting out. Parker's childhood was, let's say, non-linear. And extremely intelligent, which admittedly I didn’t expect. So it’s not worth going after.” But no, it was a happy ending. And we programmed a bunch of other stuff. This sounds a very overblown way of saying it, but it took international success for me. "I … I never have. Which may be this pot of gold at the bottom of the rainbow that I'm chasing. I would love to just be lying on the couch the entire time my album is being made and have someone else carry out my wishes. Not just release [it], but let's go to the studio. I know it’s ruining my hearing, I’m damaging my hearing because I work at high volume, but it’s worth it because it carries you to the finish line of finishing music, loving the music more. Tame Impala makes music about learning to adapt to life’s changes. I feel like there's a kind of a magical, mystical way of me making music that will just be, you know, easy. No, I'd love to say there was an enlightening, 10-day silent meditation trip, but it really wasn't. So I think in Travis’ sort of grand vision of everything, he’s like, “Oh we’re doing SNL. PARKER: Oh, many, many have been visited. He played me the song he’d been working on, “Sundress,” which had the sample, and we messed around a bit in the studio. It’s classic Mike Skinner ’cause it’s kind of funny, it’s kind of true and poignant at the same time. Hence, the mellow vibe. To be honest, this is another thing that I dragged myself kicking and screaming into doing. PARKER: I guess I was just using all my producer power to make us, a rock band, not sound like a rock band. He’s not afraid to axe an entire part of a song, which I think is amazing. Everyone was telling us, “Don’t bother going after them because in China copyright law is heaps more loose. And that was that. This content is imported from YouTube. He has a new approach to life, as well, which embraces success rather than fleeing it. We were immediately really pumped for it. I've always loved disco and I've always loved primitive house music. Apple Music's Zane Lowe speaks with Tame Impala frontman, Kevin Parker, about their new album, The Slow Rush. Now, a pop psychologist might see these unbidden melodies as a form of mental self-protection. Can you unpack that a little bit for me? In March, when it became clear most people around the world would have to hole up for a while to combat the spread of COVID-19, the Tame Impala mastermind and his wife, Sophie Lawrence, were faced with a significant decision: Stay in LA or make a break for Parker’s native Perth? And that’s not indicative of a regular Australian person. No, that would be my own brain. The communal uplift of 'The Less I Know The Better', or 'Lost In Yesterday', almost makes me understand why people go to those speaking-in-tongue megachurches. PARKER: We did “Sundress” and his song “LSD,” which was really fun because we got to practice just doing that, just taking a hip-hop track and doing it in a live band sense. I don't think I left my house in LA in about two weeks. But in terms of people who were big on Fallon — I didn’t know who Jimmy Fallon was. Are those "letdowns" what led to the gap? "It was around the time I was so inside my own head and just completely lacking in perspective," he says. Slow Fitness Is The Best Way To Train In 2020, Louis Vuitton's Master Watchmaker, Michel Navas, Netflix's 'The Eddy' Is A Slow-Burn Gritty Drama. STEREOGUM: Years ago you guys did some work with SZA, but it never emerged. テーム・インパラ (Tame Impala) は、オーストラリアのミュージシャン、ケヴィン・パーカー(Kevin Parker)によるサイケデリック ミュージック プロジェクトである [1]。ケヴィン・パーカーによるソロプロジェクトではあるが、ライブではバンド編成で演奏される。 PARKER: He actually made contact a lot sooner. Did somebody send you a completed track and say “What did you think?”. Around the time that he died, I was still pretty young – he died around 10 years ago. Guesting On … At the time of our call, he’s been more or less in his element, spending his days alone in the studio working on recording projects he’s not at liberty to discuss. PARKER: Yeah, we did a studio session together. It’s just choosing where to put beats and where not to put them. Yeah. What songs are closest to how you first imagined them? We’re kindred spirits. He can lean out from the edge of a stage and make tens of thousands of people feel like he's singing just to them. I can imagine the squad of writers and producers all working together was a culture shock for someone who famously records his own music in isolation. I really gave a shit. He developed an almost chronic shyness, for which music became a kind of balm. I knew I had to do it that way. That’s kind of just how I want to approach it, just not being self-aware. It had been four years since the last album and no one announces a festival slot, and a world tour, without something new to promote. If I made an album in one week, some of my fans would consider it my best album. Which is different in how you go about it, but mentally it’s exactly the same. It only matters where you decide to put those kick drums. We earn a commission for products purchased through some links in this article. It was. You could probably mark quite clearly where I started learning drums because I stopped playing with Lego. And, duly, two singles arrived: blissed-out funker 'Patience', and 'Borderline', which sounded like ELO covering Pharrell. In that same interview, Parker said that his biggest takeaway from making both the previous Tame Impala album, 2015's Currents, and this one was to trust his gut instincts. I didn't watch TV. It’s one of those things that… I literally can’t deal, or whatever it is. Which is kind of like my M.O. Mayer on bass and guitar out because I stopped playing with Lego at. Cringey it was like, what do we do, what do do. To find some way we can but you are at playing the drums 's write those that... Was also, I think Gaga too, realising that adults are n't necessarily any better than.... A format anyway that track and fulfilling old-fashioned tastes, but we just have a different I! 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